| Front Cover |
Actor |
Back Cover |
|
| Morgan Freeman |
Theodore Joadson
|
| Anthony Hopkins |
John Quincy Adams
|
| Djimon Hounsou |
Cinque
|
| Matthew McConaughey |
Baldwin
|
| Nigel Hawthorne |
Martin Van Buren
|
| David Paymer |
Secretary Forsyth
|
| Pete Postlethwaite |
Holabird
|
| Stellan Skarsgård |
Tappan
|
| Anna Paquin |
Queen Isabella
|
| Tomas Milian |
Calderon
|
| Sir Nigel Hawthorne |
|
| Stellan Skarsgard |
|
| Steven Spielberg |
|
| Debbie Allen |
|
| Nigel Hawthorn |
|
|
|
|
| Movie Details |
| Genre |
Drama |
| Director |
Steven Spielberg |
| Producer |
Debbie Allen; Steven Spielberg |
| Writer |
David Franzoni |
| Studio |
DreamWorks Home Ent. |
|
| Language |
English |
| Audience Rating |
R (Restricted) |
| Running Time |
152 mins |
| Country |
USA |
| Color |
Color |
|
| Plot |
| Steven Spielberg's most simplistic, sanitized history lesson, Amistad, explores the symbolic 1840s trials of 53 West Africans following their bloody rebellion aboard a slave ship. For most of Schindler's List (and, later, Saving Private Ryan) Spielberg restrains himself from the sweeping narrative and technical flourishes that make him one of our most entertaining and manipulative directors. Here, he doesn't even bother trying, succumbing to his driving need to entertain with beautiful images and contrived emotion. He cheapens his grandiose motives and simplifies slavery, treating it as cut- and-dry genre piece. Characters are easy Hollywood stereotypes--"villains" like the Spanish sailors or zealous abolitionists are drawn one-dimensionally and sneered upon. And Spielberg can't suppress his gifted eye, undercutting normally ugly sequences, such as the terrifying slave passage, which is shot as a gorgeous, well-lit composition. At its core, Amistad is a traditional courtroom drama, centered by a tired, clichéd narrative: a struggling, idealistic young lawyer (Matthew McConaughey) fighting the crooked political system and saving helpless victims. Worse yet, Spielberg actually takes the underlying premise of his childhood fantasy, E.T. and repackages it for slavery. Cinque (Djimon Hounsou), the leader of the West African rebellion, is presented much like the adorable alien: lost, lacking a common language, and trying to find his way home. McConaughey is a grown-up Elliot who tries communicating complicated ideas such as geography by drawing pictures in the sand or language by having Cinque mimic his facial expressions. Such stuff was effective for a sci-fi fantasy about the communication barriers between a boy and a lost alien; here, it seems like a naive view of real, complex history. --Dave McCoy |
| Personal Details |
| Seen It |
No |
| Index |
28 |
| Collection Status |
In Collection |
| Purchase Price |
$7.50 |
| Store |
Shopko |
| Links |
IMDB
|
|
| Product Details |
| Format |
DVD |
| Region |
Region 1 |
| Screen Ratio |
Widescreen 1.85:1 Color (Anamorphic) |
| Layers |
Single Side, Dual Layer |
| UPC (Barcode) |
667068416220 |
| Chapters |
24 |
| Release Date |
2003 |
| Subtitles |
Dänisch; Deutsch; Englisch; Englisch für Hörgeschädigte; Finnisch; Holländisch; Norwegisch; Schwedisch |
| Packaging |
Keep Case |
| Audio Tracks |
ENGLISH: Dolby Digital Surround |
| Nr of Disks/Tapes |
1 |
|
|
Extra Features
|
| Color Closed-captioned Widescreen Dolby |
|